Doe Season Andy

Doe Season: Andy & # 8217 ; s Epiphany Essay, Research Paper

The procedure of happening out who one is can be really disruptive and confusing. Through turning up one goes through so many different alterations in footings of one & # 8217 ; s personality and make up one’s minding who they are and what they want to be. The small miss in David Kaplan & # 8217 ; s & # 8220 ; Doe Season & # 8221 ; goes through one of these alterations, as do many other striplings confused about who they are, and finds out that there are some facets of a individual & # 8217 ; s individuality that can non be changed no affair how difficult he/she attempts.

Andy is a nine-year-old miss who doesn & # 8217 ; t want to turn up to be a adult female. When she negotiations of the sea and how she remembers her female parent loving it and how much she hated it is a hint that she prefers to be a & # 8220 ; boy & # 8221 ; .

The sea is symbolic of muliebrity and the wood is symbolic of manhood. Andy expresses utmost antipathy for the sea and a wonder of the forests. She ne’er truly admits to wishing the forests but the manner she refers to it is ever as if she & # 8217 ; s fascinated by it, but she doesn & # 8217 ; t cognize much about it. Therefore, she must travel hunting as a trial to see if she belongs. To contrast how she feels about the sea and the wood, she refers to the wood as deep and huge, while she refers to the sea as immense and empty. Andy sees the adult male & # 8217 ; s universe as a wonderful, intriguing universe while she sees the adult female & # 8217 ; s universe as meaningless and empty.

Andy sees the alterations into a adult female on the skyline and she is scared by these alterations because they are really confounding to her. This is why she seek & # 8217 ; s to make man-type things such as runing. To farther confuse her, her male parent supports her nisus to be portion of the adult male & # 8217 ; s universe. He refers to her as Andy even though her existent name is Andrea and takes her with him to make manfully things.

The reader first gets a intimation of the fact that Andy is unable to be a member of the male fraternity when she expresses her disliking of Mac. Mac is representational of the typical male child in this narrative. Andy thinks that Mac is stupid and is annoyed by all of the buffooneries and badgering he submits her to. This is an extension of her muliebrity, even though she doesn & # 8217 ; t rather grasp that fact. The following case where she feels out of topographic point in this & # 8220 ; man-world & # 8221 ; is, when at tiffin, they are discoursing about cervid. She makes the remark that she sees a cervid one time behind their house and Charlie Spoon tells her that was because it is non runing season. They so converse about how cervid know when and when it isn & # 8217 ; t runing season and get down express joying about it. This whole conversation confuses Andy and makes her experience out of topographic point. Subsequently on, when they set up collapsible shelters, she has to kip in a collapsible shelter with Mac. The things that Mac negotiations to her about before they go to kip do her feel uncomfortable. First he asks her if she & # 8217 ; s

of all time seen someone’s “pecker” and that makes her experience uncomfortable. Mac so talks to her about gutting a cervid and it makes her believe about how it would experience if person did that to her. Two times during the narrative Andy sees cervid. One clip when she is garnering firewood and another when she takes a walk on her ain. The ground she is able to see these cervid is because the cervid don’t think she poses any menace. Due to her feminine nature, the cervid can state that she is a miss and don’t think she means to make them harm. This is what leads to Andy to finally recognizing that she doesn’t want to be portion of the male society. The last clip she sees a cervid she leads everyone to it. Her dad so talks her into hiting the cervid. When Andy’s father begins to gut the cervid Andy has her epiphany. At that point she realizes that she can’t become portion of the male society. This causes her to travel running from everyone as she is forced into her nature and forced to go portion of the inevitable, female society.

Andy & # 8217 ; s male parent takes her hunting as a trial. The hunting trip is an induction trial to see if she has what it takes to be accepted into the adult male & # 8217 ; s universe. She fails the trial when she feels bad about hiting the cervid and runs in the other way when her male parent and Charlie Spoon go to gut the cervid. The fact that she doesn & # 8217 ; t like hiting the cervid, which is the chief end of hunting, is grounds that she doesn & # 8217 ; t like the male universe.

In add-on to her physical epiphany, Andy has an epiphany on a higher lever. The hunting trip leads Andy to the realisation that even if she likes the male universe, there are some facets of who she is that she can & # 8217 ; t alter irrespective of how she feels about them and how difficult she tries to alter them. Andy embraces the male universe as an effort to get away from going a portion of the female universe merely to be rejected by the male universe through a humiliating experience that teaches her that she does non suit in. This rejection is what makes her realize that there are changeless alterations about people. She can & # 8217 ; t be male stuff because of her nature and familial make-up.

Andy is a miss who is scared of what a female & # 8217 ; s universe is and the confusion that goes along with going a female. This reaction to the female universe drives her to seek and be a portion of the male universe. Andy realizes at the terminal of the narrative that she doesn & # 8217 ; t want to be a portion of the male universe. She besides realizes that no affair what she does, she can & # 8217 ; t deny her gender and that in some facets a individual must be satisfied with his/her individuality.

Mentions

Kaplan, David. & # 8220 ; Doe Season & # 8221 ; in & # 8220 ; Literature: Reading, Reacting, Writing & # 8221 ; . Pgs. 342-354. Kirszner, Laurie. Mandell, Stephen. Harcourt Brace College Publishers. 1991. 3rd Edition.