Posted: March 24th, 2022

MIS-EN-SCENE ANALYSIS (CHAPTER 2)

MIS-EN-SCENE ANALYSIS (CHAPTER 2)

Movie Critique #1

DUE :

SUNDAY, MARCH 26TH BY 11:59PM.

FORMAT :

Two-page Minimal (This doesn’t embody the FILM STILL SHOT (Picture/Picture from movie) that you’ll flip in along with your critique) Ten-page most

Typed

Double-spaced

Font-Instances New Roman 12 level

CONTENT :

The critique will encompass you viewing the movie of your selection after which selecting a movie nonetheless shot (picture/picture) from that movie to investigate utilizing the Mis-En-Scene 15-point Assessment beneath (Please seek advice from Chapter 2). The critique must be in paragraph type. The critique mustn’t embody the precise questions beneath. In your comfort, I’ve supplied you with a Mis-En-Scene 15-point Assessment cheat sheet beneath

MISE-EN-SCENE ANALYSIS:

1. The Dominant-The place is our eye attracted first? Why?

2. Lighting Key-Excessive key? Low key? Excessive distinction? Some mixture of those? Why?

three. Shot and Digicam Proxemics-What sort of shot? How distant is the digicam from the motion? Why?

four. Digicam Angle-Are we (and the digicam) trying up or down on the topic? Or is the digicam impartial (eye degree)? Why?

5. Colour Values-What’s the dominant coloration? Are there contrasting foils? Is there coloration symbolism? Why?

6. Lens/Filter/Inventory-How do these distort or touch upon the photographed supplies?

7. Subsidiary Distinction-After taking within the dominant, the place does the attention go subsequent? What are the opposite fundamental objects within the shot apart from the dominant?

eight. Density-How a lot visible data is packed into the picture? Is the feel stark, reasonable, or extremely detailed?

9. Composition-How is the two-dimensional house segmented and arranged? What’s the underlying design?

10. Kind-Is the shape open or closed? Does the picture counsel a window that arbitrarily isolates a fraction of the scene? Or a proscenium arch, by which the visible components are fastidiously organized and held in stability?

11. Framing-Is the framing tight or unfastened? What does the framing counsel?

12. Depth of field-On what number of planes is the picture composed (what number of are in focus)?

13. Character Placement-What a part of the framed house do the characters occupy? Prime? Backside? Edges? Why?

14. Staging Positions-Which approach do the characters’ look vis-à-vis the digicam? Why?

15. Character Proxemics-How a lot house is there between the characters? What does this symbolize?
Movie Critique #1

DUE :

SUNDAY, MARCH 26TH BY 11:59PM.

FORMAT :

Two-page Minimal (This doesn’t embody the FILM STILL SHOT (Picture/Picture from movie) that you’ll flip in along with your critique) Ten-page most

Typed

Double-spaced

Font-Instances New Roman 12 level

CONTENT :

The critique will encompass you viewing the movie of your selection after which selecting a movie nonetheless shot (picture/picture) from that movie to investigate utilizing the Mis-En-Scene 15-point Assessment beneath (Please seek advice from Chapter 2). The critique must be in paragraph type. The critique mustn’t embody the precise questions beneath. In your comfort, I’ve supplied you with a Mis-En-Scene 15-point Assessment cheat sheet beneath

MISE-EN-SCENE ANALYSIS:

1. The Dominant-The place is our eye attracted first? Why?

2. Lighting Key-Excessive key? Low key? Excessive distinction? Some mixture of those? Why?

three. Shot and Digicam Proxemics-What sort of shot? How distant is the digicam from the motion? Why?

four. Digicam Angle-Are we (and the digicam) trying up or down on the topic? Or is the digicam impartial (eye degree)? Why?

5. Colour Values-What’s the dominant coloration? Are there contrasting foils? Is there coloration symbolism? Why?

6. Lens/Filter/Inventory-How do these distort or touch upon the photographed supplies?

7. Subsidiary Distinction-After taking within the dominant, the place does the attention go subsequent? What are the opposite fundamental objects within the shot apart from the dominant?

eight. Density-How a lot visible data is packed into the picture? Is the feel stark, reasonable, or extremely detailed?

9. Composition-How is the two-dimensional house segmented and arranged? What’s the underlying design?

10. Kind-Is the shape open or closed? Does the picture counsel a window that arbitrarily isolates a fraction of the scene? Or a proscenium arch, by which the visible components are fastidiously organized and held in stability?

11. Framing-Is the framing tight or unfastened? What does the framing counsel?

12. Depth of field-On what number of planes is the picture composed (what number of are in focus)?

13. Character Placement-What a part of the framed house do the characters occupy? Prime? Backside? Edges? Why?

14. Staging Positions-Which approach do the characters’ look vis-à-vis the digicam? Why?

15. Character Proxemics-How a lot house is there between the characters? What does this symbolize?

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